编辑“音乐绘画”（章节）

==参考文献与注释==
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*Berman, Greta. "Synesthesia and the Arts," ''Leonardo'' 32, no. 1 (1999) 15-22.
*Campen, Cretien van. Visual Music and Musical Paintings. The Quest for Synesthesia in the Arts. In: F. Bacci & D. Melcher. Making Sense of Art, making Art of Sense. Oxford: Oxford University Press (forthcoming in 2009) ).
*Campen, Cretien van.  [https://web.archive.org/web/20071208214230/http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=11303 The Hidden Sense. Synesthesia in Art and Science] Cambridge: MIT Press, 2007.
*Campen, Cretien van "Artistic and psychological experiments with synesthesia." ''Leonardo'' vol. 32, no. 1 (1999) 9-14.
*Collopy, F. "Color, Form, and Motion. Dimensions of a Musical Art of Light." ''Leonardo'' 33, no. 5 (2000): 355-360.
*{{Citation|surname1= Dann|given1= K. T. |year=1998|title= Bright Colors Falsely Seen: Synaesthesia and the Search for Transcendent Knowledge |publisher= Yale University Press
|id=ISBN 0-300-06619-8|URL= }}
*Düchting, H. ''Farbe am Bauhaus. Synthese und Synästhesie''. Berlin: Gebr. Mann, 1996.
*Evers, F. "Muziek en de eenheid der kunsten." In ''Muziekpsychologie'', edited by F. Evers, M. Jansma and B. de Vries, 313-338. Assen: Van Gorcum, 1995.
*Ferwerda, R. and P. Struycken. ‘''Aristoteles’ Over kleuren''. Budel: Damon, 2001.
*Franssen, M. [https://web.archive.org/web/20100706200828/http://www.tudelft.nl/live/ServeBinary?id=1d0f8e1b-89e5-41fa-8d4d-b90aed364d44&binary=%2Fdoc%2FOcuHarpsCastel.pdf "The Ocular Harpsichord of Louis-Bertrand Castel. The Science and Aesthetics of an Eighteenth-Century Cause Célèbre."] ''Tractrix'' 3 (1991): 15-77.
*Gage, J. "Making Sense of Colour. The Synaesthetic Dimension." In ''Colour and meaning. Art, science and symbolism'', 261-268. Oxford: Thames & Hudson, 1999.
*Gage, J. ''Colour and Culture. Practice and Meaning from Antiquity to Abstraction''. London: Thames & Hudson, 1993.
*Galeyev, B. and I.L. Vanechkina. "Was Scriabin a Synesthete?" ''Leonardo'' 34, no. 4 (2001): 357-361.
*Hahl-Koch, J. "Kandinsky, Schönberg und der ‘Blaue Reiter" In ''Vom Klang der Bilder'', edited by K. von Maur. München: Prestel, 1985.
*Heyrman, H. ''Art and Synesthesia: In Search of the Synesthetic Experience'' paper presented at the First International Conference on Art and Synesthesia in Europe, University of Almería, Spain, 25–28 July 2005.
*Ione, A. and C.W. Tyler. "Neuroscience, History and the Arts. Synesthesia: Is F-sharp Colored Violet?"''Journal of the History of the Neurosciences'' 13 (2004): 58-65.
*Ione A. and C.W. Tyler. " Was Kandinsky a Synesthete?" ''Journal of the History of the Neurosciences'' 12 (2003): 223–226.
*Ione, A. "Kandinsky and Klee: Chromatic Chords, Polyphonic Painting and Synesthesia." ''Journal of Consciousness Studies'' 11, no. 3-4 (2004): 148-58.
*Jewanski, J. and N. Sidler (Eds.). ''Farbe - Licht - Musik. Synaesthesie und Farblichtmusik.'' Bern: Peter Lang, 2006.
*Jewanski, J. "What is the Color of the Tone?" ''Leonardo'' 32, no. 3 (1999): 227-228.
*Kandinsky, W. "Der gelbe Klang: Eine Bühnenkomposition von Kandinsky." In ''Der blaue Reiter'', edited by W. Kandinsky and F. Marc. München: Piper, 1912.
*Klein, A.B. ''Colour Music'. The Art of Light." London, 1926.
*Maur, K. von. ''The Sound of Painting''. München: Prestel, 1999.
*Moritz, W. ''Optical Poetry. The Life and Work of Oskar Fischinger''. Indiana University Press, 2003.
*Peacock, K. "Instruments to Perform Color-Music: Two Centuries of Technological Experimentation."''Leonardo'' 21, no. 4 (1988): 397-406.
*Uitert, E. van. "Beeldende kunst en muziek: de muziek van het schilderij." In ''Kunstenaren der idee: symbolistische tendenzen in Nederland'', edited by C. Blotkamp. Den Haag: Haags Gemeentemuseum, 1978.
*Peacock, K. "Instruments to Perform Color-Music: Two Centuries of Technological Experimentation,"''Leonardo'' 21, no. 4 (1988) 397-406.
*{{Citation|surname1= Riccò|given1= Dina|year= 1999|title= Sinestesie per il design . Le interazioni sensoriali nell'epoca dei multimedia|publisher= Etas, Milano|URL= }}
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